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Where it's black &
white, and life aint pretty...
No, I haven't seen Sin City yet, although I'm bursting
at the seems to see it. Y'see, I have a Marvel deadline due by mid-week.
I almost suspect I got the gig because everybody else had to see Sin City
this weekend. The Cinderella syndrome. In fact, I have to turn in my blog
early because Webmaster Chris is going to see Sin City Tuesday! Can't
post my blog without the midwife!
It's pollen season here in Fla. Not as intense on the
sinuses as Georgia was, but enough to get yellow ick all over your car
every other week. I have to wash my hands every time I come indoors, and
as a result, my hands get dry and cracked. I'd use hand cream, but you
can't ink with greasy hands. There's may be a lot of greaseless creams
out there, but I don't want to take the chance on smearing pencil with
some substance that won't react well to ink. Remember, ink comes first!
So I live with the discomfort and try to apply lotion when I'm done for
the night.
I'm not complaining, really. The movie will be there
when I check it out Wednesday (and I'm savvy enough to avoid spoilers)
and I fully expect to love it.
The Marvel gig? Seven pages of Spider-Man/Human Torch
minisereies written by Dan Slott, pencilled by Ty Templeton.
Dan Slott recently inked an exclusive deal with Marvel,
and I think the fans will be the true winners. I currently purchase out
of my own coffers everything he writes INCLUDING the Spidey/Torch mini,
She-Hulk, and starting this week, the mini, GLA (Great Lakes Avengers).
She-Hulk only lasted a year, but it will be back in the fall with Dan
on board. He has an encyclopedic knowledge of the Marvel Universe, but
doesn't drown you in continuity. In fact, he has fun with the more, uh,
questionable storylines (like the Spider-Mobile) that have occasionally
surfaces over the past 40 years and makes everything work! #3, featuring
the Spider-Mobile explains why Spidey would even bother doing such a crazy
venture, and the Spidey/Torch friendship deepens. Spidey, still reeling
with guilt over the death of Qwen Stacy, opens up to Johnny Storm about
a lot of things he can't tell his non-superheroic friends. This mini spans
the head-knocking friendship of these two and adds a depth to The Torch
that rarely is seen.
I met Dan Slott briefly at Crossgen, of all places,
when we were shopping around for another in-house writer. This was during
a time when we were expanding the titles so much, we realized too late
we were canibalizing our own sales ("I like this new El Cazador,
I think I'll drop Crux"). It turns out that we never hired another
writer-more impending situations were arising...
If you faithful bloginistas will turn to the page marked
'July 27' in your leather-bound collection of blog printouts, you'll recall
I praised Templeton's 80's comic, Stig's Inferno. Ty has done many other
comics since, like Justice League International and in 2002, the graphic
novel Bigg Time. He's also busy with animation work. Needless to say,
he's a joy to ink!
It's weird inking pages from a book you buy regularly,
because it spoils the issue for you somewhat. Even though I miss lettering
on the original art boards, I can still read the script for the first
time when the issue (#4) comes out! And Slott never fails to elicit big
loud laughs from me in his stories.
Last week, when my Legion of Super-Heroes interview
with Waid & Gibbons was posted, I'm reminded how I change my lexicon
during an online interview. When asked about the short story, I originally
wrote: "It's a very touching back-up story which serves the purpose
of letting the readers get more familiar with Karate Kid and Phantom Girl,
so it's definately not filler". Right before I sent this comment
and others to Jen Contino for inclusion of the interview, I changed the
word "touching" to "cool". For some reason, I thought
the term touching sounded very un-cool to the hipsters and wannabe-hipsters
in the reading community, like I was when I was a teenage fanboy. Cool
is one of those go-to words when you want to descibe something you want
others to check out. Besides, I thought it WAS a cool AND touching story,
so I wasn't misleading, so there! I just didn't want it to sound like
those TV commercials for sitcoms that have "a very special episode"
dealing with social ills instead of laughs.
I've gotten some very positive feedback on my inking
Gibbons, and it's been appreciated. Hopefully, we'll work together again...
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