Well,
I planned on blogging last week, but deadlines wouldn't let me, so there's some
catching up to do. First of all, I've just made my reservations
to attend the WizardWorld Chicago convention August 10-12 and I've got to wrap
up all my outstanding commissions before then (and by outstanding, I mean overdue,
not spectacular, although I do put all my energy into commissions!) I've been
jonesing for a show and I plan on staying busy with Gen13 and other projects before
then. Three consecutive issues of Gen13 are in the
can and Carlo Barberi and I are wrapping up the forth. This week, I'll be inking
#13 & 14's covers. If you caught the Wildstorm panel in Philly, you've already
gotten a preview of The Authori-teens! Lovable plush kid versions of The Authority!
Carlo and I dig working together and our styles seem to be jelling more with each
issue. Carlo's English is far better than my Spanish, but despite that, we seem
to get along just fine. Maybe I'm a pain in the ass to work with up close, because
it seems that my best collaborations are long-distant relationships! Carlo's in
Mexico City, I'm in Florida. Part of what broke up the Greg Land/Drew Geraci team
was sitting next to each other in cubicles at Crossgen. When Greg was in Indiana,
and I was in Georgia, we'd be in touch once a week over the phone, just long enough
to not get on each other's nerves! But seeing each other daily was awkward, then
increasingly uncomfortable, as he and I have differing attitudes and opinions
on just about everything under the sun and of course, we both believed we were
each in the right! Another thing I'm enjoying is how
Editor Ben Abernathy keeps me involved in the creative process. He doesn't have
to, but he keeps me happy and vice versa. I get to scan all my inked pages and
tweak them in photoshop now, which gives me more control over the reproduction
quality. And since Wildstorm is West Coast, I get a three-hour 'extention' on
my deadlines! I can scan as late as 8PM Eastern and it's still on time in La Jolla!
Btw, working in photoshop is fun, now that I've overcome my puritanical resistance
to computer enhancing of line art! I used to marvel at the colorists at Crossgen,
manipulating images and watching some random lines get blown up several hundred
degrees-in some stages, an enlarged background image would look like crude pop
art! I love seeing my work all blown up big! It's nutty, I know... Anyway,
I Saw Fantastic Four 2: Rise of the Silver Surfer last weekend (NO SPOILERS),
and I've come to the conclusion that one's enjoyment of either of the FF movies
depends mostly on your love of the characters. I happened to love the first movie,
and the first half of FF2, but the second half fell flat for me. I don't see every
comic book movie (for example, I haven't seen Hellboy, Ghost Rider, or X-Men 3...yet.)
but I will make the trip to the theaters for old favorites like Batman, Superman,
Spidey and the FF. This recent viewing experience reminded
me why I don't go to the theater often. Several times, people would get up from
one side of the room to exit the opposite side, shuffling along at a glacial pace,
with no regard to blocking the screen. Mind you, there's exits on both sides,
but I guess some folks are too lazy to walk the presumably extra eight feet around
the outside area to go to the bathroom or concession stand. These were adults,
tall ones at that, not kids for whom I could excuse such inconsideration. Speaking
of kids, some little -ah...child next to me kicked his feet through the entirety
of the movie to watch his sneakers light up. I've got a lot of patience for kids,
even though I don't have any, but still, his mom never thought to calm him down...
*fume* The Silver Surfer was handled extremely well,
but I wished the climax of the movie wasn't so ambiguous (and not interestingly
so, as the Sopranos' final episode-more on that later). There was a lot of missed
opportunity to set up a third movie, which I would've welcomed, as I thought Spidey
3 was proof that the third part of a trilogy can be done well. Instead, despite
the higher budget, it almost appears that the Powers That Be didn't have much
faith in FF2 being a huge hit that would have fans clamoring for a third. When
I buy it on DVD, I'm sure I'll enjoy it a lot more in the privacy of my home.
Back to the Sopranos Finale last week: In hindsight, it
WAS a great ending, but the 50 minutes preceeding it was a huge disappointment.
As one newspaper reviewer stated, this last season focused entirely too much on
the most annoying character, Anthony Jr. Also, a lot of plot threads got wrapped
up too neatly for my taste. Pauly Walnuts is one of the series' most compellng
characters, second only to Tony Soprano, and I kept watching the clock, hoping
to see one last great scene with him. Pauly was low key and appeared haunted,
which would be great if there were more episodes remaining, but I wanted the scary
Pauly. Oh, well.. The main hangup I have is that one would have had to religiously
watched the previous seasons just prior to the final eight episodes to keep up
with the seemingly secondary characters like Carlo. But...we audience members
had 16-month gaps between seasons, so I don't think it would be considered too
condescending to pepper in a little more expository dialogue, hah? Well, it was
a great ride, but wow, I'm bummed about what I feel was a non-payoff to longtime
viewers like me. On a more chipper note, I've been reading
Action Heroes Archives Vol. 2, which reprints the remainder of Steve Ditko's contributions
to the Charlton "Action Heroes" line. If you've enjoyed the recently-printed
Spidey Omnibus, also chock-fulla Ditko goodness, I guarantee you will be thrilled
by the whirling-dervish action of the Blue Beetle stories! Not to mention some
of Ditko's finest inking, reminescent of the late Wally Wood. Where the contained
Captain Atom stories appear as perfunctory paycheck work (others occasionally
ink and script his work), Ditko obviously enjoyed the nuts-and-bolts of BB's suit,
weapons, and flying bug! Wow, this is why I read comics! Call it naivete', but
there's something so pure about a character who devotes his free time to fight
crime for no other reason than it's the right thing to do! Special bonus in this
Archives Edition: The original Question plus previously-unreprinted stories from
Charlton Bullseye, a Charlton-approved labor-of-love fanzine created by Roger
Stern, Bob Layton and John Byrne (I understand those plucky young firebrands went
on and eventually broke in the comics industry themselves)! The Charlton Bullseye
segment includes yet MORE Ditko work and a delicious Alex Toth Question story!
I'm very pleased to have all this rare material now collected in two volumes!
Also, on a whim, I picked up the first Manga-style comic
from DC's new Minx line (great name, that): The Plain Janes. It's written "for
girls", but I wanted to see how this new experiment looked. It's good readin'!
If you ever felt like an outcast in High School, and as I suspect most comicbook
folk like me, were, you'll have a hard time putting it down once you've started.
My wife Karen even read it, and she NEVER reads comics! My
final "attaboy" goes to Marvel's Bullet Points trade paperback by Michael
Straczynski and Tommy Lee Edwards. It's a brilliantly eerie "What If"
with some familiar faces in different situations. Hmm, that doesn't do it justice...
Just pick up everything I've recommended! Including Gen13 #9! Trust me! See
ya next month! |