Hope everybody's
had/is having a happy holiday time. In case you missed the bottom of my
home page, my first Sketch Magazine article was just published, and It was
a nice Christmas gift for me.
I've added more art to some of the pages on this site,
so to those of you who've popped by before, check 'em out.
*Another contest hint: My first
letter was a published in a Marvel non-mutant team book.
You CAN have too much of a good thing. I'm a hard-core
comics fan, but there are days I don't want to even look at a comic, particularly
during intense deadlines. As silly as it may seem, I still occasionally
like to unwind by reading comics before going to bed. I try to avoid current
comics before bed, because then I get competitive (Wow, look at Jesus Merino's
inks on Pacheco! I'll never be that good!) and I lose sleep. No matter how
much of a lifelong fan you are, some days it does become just work. Thankfully,
the enjoyment I get from inking comics overrides any anxiety I experience
(are these latest pages any good? Am I sliding in quality? Why hasn't that
editor returned my call?).
So anyway...
Dave Johnson made the offer to be his assistant. According
to my first pro bio "Dave took Drew under his wing and molded him to
his will using techniques outlawed by the Geneva Convention. Drew became
a member of Dave's Kudzu Tech Studio and was given a Legion flight ring."
Not bad for my first shot at hype, huh? Kudzu Tech came from Dave's description
of the work he became known for : Lots of machinery and cables filling a
page like crawling kudzu vines.
Now had come the test of dedication: Dave had too much
work for me to keep a day job, but not enough to keep me around full-time.
Would I be able to quit my full-time job at the printing plant for the piecemeal
work Dave was offering? Karen and I had just gotten married earlier that
year, and after the honeymoon, I immediately jammed on my portfolio samples
before convention season. She could see it coming, and was rightfully terrified
of a future in poverty if things didn't go well. She took the leap of faith
with me, so I became Elisa Doolittle to Dave's Henry Higgins.
Derec Aucoin had just moved from Louisiana to join Kudzu
Tech. Where I was shy and reserved, Derec, only 20 at the time, was bursting
forth with his take-no-prisoners attitude. What struck me was that he broke
into the industry only months before I did, but already had savvy to spare.
I think I took the assistant role too seriously, because I was very uptight,
all business. Dave tried to get me to loosen up, but getting into comics
meant so much to me that I treated him more as a boss than a fellow traveller.
So we spent a lot of time not talking to each other. I had this dopey "the
customer is always right" mentality that I hadn't quite shaken from
my corporate background. Since I wasn't "working" for Derec, I
related to him better. Nonetheless, I wasn't much fun to be around back
then (some might argue I'm still not, but it's all lies I tell you, lies!!),
and everybody who I met working in comics seemed to have taken it in stride
better than I did.
Only in recent years have I begun embracing my choice
of livelihood. The downslide of comic book sales in the mid-90's had a lot
to do with my hangups, despite being steadily employed on monthly comics.
I'm no more an expert on economics than anybody else, but I've been reading
about some healthy sales trends in the past year or two, so hopefully, more
casual readers will recognize the sheer volume of quality comics and trades
that are available now. C'mon, world, you better recognize! |